Indian
society has always been a patriarchal one. Beginning from the age of Vedas and
Upanishads, women were considered inferior to men. It isn’t that the old ones
depict women of that stature, but their retellings too do the same. Here is one
example:
“Gods do; Goddesses are.
Gods are active; Goddesses are passive. Goddesses may be knowledge, wealth and
power but it is Gods who are knowledgeable, wealthy and powerful. Thus the male
form of divinity represents the subject. The female form represents the
object.”2
(Page No.:31)
In this case, though
the author tries to bring out the idea that men and women are complementary to
each other, it actually seems to be like women supplement men, and do not
complement.
Similarly, in many retellings of the
Mahabharata and the Ramayana, women are portrayed to be acquired and used by
men just like the way men do to land. A few of the instances include:
In a few of the Mahabharata
retellings, there is a scene where Lord Agni requests Arjun to put a forest to
flames, an act which was opposed by Lord Indra. Out of his respect for Lord
Agni, Arjun burns the entire forest. Here, men seem to destroy their
environment at their own whims and fancies. Similarly, the city of Indraprastha
was said to be built by the Pandavas only after killing the wildlife that was
living at the khandav forest. This, again, proves how men have taken nature and
the ecosystem for granted in destroying and exploiting them.
“The forest was still
burning around us when my husbands called me to the makeshift canopy that had
served as our home since we arrived in Khandav. There weren’t any animals left
in the wilderness of Khandav – not since Arjun set the forest on fire.”3
(Page No.:141)
On the one hand, men have exploited
the land; on the other, they have done the women. The first generation of the women
characters of the Mahabharata – Amba, Ambika and Ambalika – were acquired by
Bheeshma. They weren’t chosen, but were literally acquired and were taken to
the Kuru kingdom. Another instance is when Draupadi was supposed to choose all
the five Pandavas as her husbands. She was never given a chance to think or a
choice to make. She was put in a position where she had to marry all the five,
and they were rules laid for her to live – every year she had to live with one
husband and she would regain her virginity by the end of every year. She did
not even have the liberty to be with the person she liked. This is one of the
greatest oppressions a woman had been put into.
Fate’s biggest punishment to
Draupadi was not just she getting married to five husbands, but she being
disrobed in the court in front of everyone present there. This has been
beautifully illustrated in two retellings:
“Draupadi’s humiliation
is witnessed by all the kings of the earth. But none step forward to help her.
This dramatic episode draws attention to the tragedy of laws that in their
dispassionate execution forget the resson dharma exists in the first place: to
enable the weak to thrive.”4
(Page No.: 127)
The next is from a woman’s point of
view:
“Their notions of honour,
of loyalty toward each other, of reputation were more important to them than my
suffering. They would avenge me later, ye, but only when they felt their
circumstances would bring them heroic fame. A woman doesn’t think that way. I
would have thrown myself forward to save them if it had been in my power that
day.”5
(Page No.:195)
These instances prove how women have
always been just objects for men than having played the roles of their counterparts.
This is the kind of society that has been prevailing from that day till now.
Men have never treated women and nature with great respect. Though women are
considered to be Goddesses in certain parts of our country, men still continue
to regard women and land as sources of fertility. The present day India is the
best example to defend this idea. Though we boast off as Indians for living in
a safe, secure nation, women cannot still travel alone anywhere, for they might
be exploited by men. Unless and until men consider the Mother Nature as their
own mother and the sisters of others as their own sisters, India can never be a
developed nation – a nation worthy of happy, civilized survival.
To understand a woman, one must understand
nature, and vice-versa. This is explained through the following lines:
“Sharon Doubiago asserts
that ‘ecology consciousness is traditional woman consciousnesses. Women have
always thought like mountains, to allude to Aldo Leopold’s paradigm for
ecological thinking.”6
(Page No.: 27)
WORKS CITED:
1. Garrard,
Greg. Ecocriticism. (Page No.: 26) Routledge
Publishers. 2011. Print.
2. Dr.Pattanaik,
Devdutt. Myth=Mithya. Penguin Books
India. 2006. Print.
3. Divakaruni,
Chitra Banerjee. The Palace of Illusions.
Picador Publishers India. 20018. Print.
4. Dr.Pattanaik,
Devdutt. Myth=Mithya. Penguin Books
India. 2006. Print.
5. Divakaruni,
Chitra Banerjee. The Palace of Illusions.
Picador Publishers India. 20018. Print.
6. Garrard,
Greg. Ecocriticism. Routledge
Publishers. 2011. Print.
SSincere thanks to RAGHAVI NARAYAN, India.
My sincere thanks to you, too, Karthi.. :)
ReplyDeleteThanks a ton!
My sincere thanks to you, too, Karthi.. :)
ReplyDeleteThanks a ton!